Here we are at Part 4 of our Glee recap series! Season 4 is, in my honest opinion, a hot chaotic mess, but it does admittedly serve up a great selection of music, particularly in the second half of the season. That being said, there's a hefty (but admittedly necessary) amount of new characters as well as a hefty (not necessary) amount of social topics discussed in this bonkers storyline.
Season 4 of Glee premiered on Fox on September 13th, 2012 with the finale airing on May 9th, 2013. This season sees a split storyline across the entire cast, following the remaining school-aged members of New Directions and primarily focusing on Rachel's (and thankfully Kurt as well) journey at college in New York. As has become tradition, this season includes new pressures and issues for the students and faculty to endure, including but not limited to bulimia, dyslexia, gender identity, pregnancy scares, school violence, sex (always), and sexual assault.
As with the previous seasons, I have chosen what, in my opinion, is the best song from each episode of the season. I'll be comparing the Glee cover with the original song, talking about which one I personally prefer, and a little bit about the context of why the song was used in the show as well as shoutouts to the cast members who sang the songs. Let's see what's in store this time!
S4E1: The New Rachel (September 13th, 2012)
Spotlight Song: Chasing Pavements (written by A. Adkins, F. White)
Original Artist: Adele
Chasing Pavements was originally featured on Adele's 2008 album 19. It peaked on the Billboard Hot 100 at #21, has been certified Platinum by the RIAA, and won Best Female Pop Vocal Performance at the 2009 Grammy Awards. This was one of Adele's breakthrough hits and is still an instrumental part of her repertoire. It's a beautiful song with incredible vocals by one of my all time favorites.
Glee Artist: Marley Rose (Melissa Benoist) & New Directions
This is newcomer Marley's (Benoist) first big number with New Directions, and while she does have a lovely voice I think she runs into the common vocalist issue of trying to make everything too "pretty," which can sometimes distract from the artistry of the song. The scene, though, is pretty powerful as it cuts between Marley's solo and Rachel (Lea Michele) and Kurt's (Chis Colfer) surprise reunion in New York. Hands down, my vote this round goes to the original - I just love Adele too much, and her voice fits this style of music better than Benoist's does.
S4E2: Britney 2.0 (September 20th, 2012)
Spotlight Song: Oops!...I Did It Again (written by M. Martin, R. Yacoub)
Original Artist: Britney Spears
Oops!...I Did It Again was originally featured on Spears's 2000 album of the same name, and it peaked on the Billboard Hot 100 at #9. If it were possible for CDs to have worn out, nine-year-old me would've destroyed my copy of this album because of how much I played it. I even had one of those "digital" watches that played the chorus of this song along with a little 8-bit video of Britney, which dates me plenty but I don't care because it was awesome. This isn't my favorite Britney song on this album, but it's up there and still lives rent free in my head.
Glee Artist: Rachel Berry (Lea Michele) & NYADA Students
I definitely didn't complain when we got a second episode dedicated to Britney Spears, but for real, this song should've been in the original Season 2 episode because this one just doesn't compare. Rachel sings this in her dance class at NYADA to try and impress her teacher Cassandra July (Kate Hudson), who she goes on to have an insane and, if I may say so, inappropriate rivalry with for most of this season. Michele's vocals on this song are, of course, fine, but it's just so hard to top Britney's version, so the original song gets the win this round as well.
S4E3: Makeover (September 27th, 2012)
Spotlight Song: The Way You Look Tonight/You're Never Fully Dressed Without a Smile (written by J. Kern, D. Fields, C. Strouse, M. Charnin)
Original Artist(s): Fred Astaire/Annie Cast
The Way You Look Tonight was originally featured in the 1936 film Swing Time and You're Never Fully Dressed Without a Smile was originally performed in Act 2 of the 1977 musical Annie by the characters of Bert Healy and The Boylan Sisters. This mashup ended being a lot of fun; the songs are set in similar time periods (Annie takes place in 1933) so the vibes mesh together really well. It's a fun, whimsical number that took me by surprise in spite of who sang it in the show.
Glee Artist: Isabelle Wright (Sarah Jessica Parker), Rachel Berry (Lea Michele), & Kurt Hummel (Chris Colfer)
I suppose it makes sense to have SJP be a guest star when we've got a story set in New York, but I'm admittedly not the biggest fan of her or Sex in the City. I had no idea she could sing, so the fact that she held her own with two of Glee's strongest vocalists impressed me quite a bit. As I said above, this was a fun number as Isabelle (Parker) and Kurt give Rachel a makeover in the Vogue vault (even though in real life they would absolutely have been arrested for breaking in there), and it has just the perfect amount of camp that you'd expect from Glee.
S4E4: The Break Up (October 4th, 2012)
Spotlight Song: Barely Breathing (written by D. Sheik)
Original Artist: Duncan Sheik
Barely Breathing was originally featured on Sheik's 1996 self-titled album, and it peaked on the Billboard Hot 100 at #16. This song is the epitome of 90s soft rock ballads, from the chord progressions to Sheik's vocal style, but it's still a bop even so. It's definitely one that'll be stuck in your head the rest of the day after listening to it, that's for sure.
Glee Artist: Blaine Anderson (Darren Criss) & Finn Hudson (Cory Monteith)
If Season 4 has a high point, it's the amount of quality Blaine (Darren Criss) content we get pretty much from start to finish. This duet between he and Finn (the late Cory Monteith) is really outstanding, and it's a damn shame the two of them didn't sing together more. This whole episode is really emotional as we see a number of fan favorite couples navigate difficult situations, but this scene with Blaine feeling neglected by Kurt and Finn starting to feel out of place in Rachel's life is a pretty gut-wrenching way to start the episode. Honestly, the Glee cover gets the win for me here, mainly because of how much I adore Darren Criss.
S4E5: The Role You Were Born to Play (November 8th, 2012)
Spotlight Song: Juke Box Hero (written by L. Gramm, M. Jones)
Original Artist: Foreigner
Juke Box Hero was originally featured on Foreigner's 1981 album 4 . It peaked on the Billboard Hot 100 at #26 and is certified Platinum by the RIAA. It's always fun when Glee covers rock classics, and this song ended up being no exception to that rule.
Glee Artist: Finn Hudson (Cory Monteith) & Ryder Lynn (Blake Jenner)
Not only was this a fun duet to see between Finn and newcomer Ryder (Blake Jenner), it was always fun to watch Monteith drum because you could tell how much he loved to do it (he'd been drumming since about age 7). This is kind of a full circle moment for Finn, as he (now the official New Directions sponsor) somewhat cons Ryder into auditioning for McKinley's production of Grease in a similar (but significantly less problematic) way to how Will conned Finn into auditioning for New Directions. While I am a fan of this cover, I will give the win to the original here just because I feel that Glee didn't quite capture the same energy that Foreigner had. Nevertheless, both versions are great and deserve listens for sure.
S4E6: Glease (November 15th, 2012)
Spotlight Song: There Are Worse Things I Could Do (written by J. Jacobs, W. Casey)
Original Artist: Grease Cast
There Are Worse Things I Could Do was originally featured in Act 2 of the 1972 musical Grease and is performed by the character of Rizzo. Probably the most well-known and beloved version of this specific song was performed by Stockard Channing in the 1978 film adaptation. This is one of my favorite songs in this whole musical, and I've absolutely loved Grease since I was like five-years-old, so it's always a go-to when I'm in a show tune kind of mood.
Glee Artist: Cassandra July (Kate Hudson), Santana Lopez (Naya Rivera), & Unique Adams (Alex Newell)
Oh boy, was this season's musical messy, messy, messy. Between Kitty (Becca Tobin) "giving" Marley an eating disorder to casting graduated students in roles to avoid complaints in the name of student safety, there was honestly just a lot wrong with McKinley's production of Grease. I've been in a situation where alumni were given roles over current students (although not for the same reasons), so in a much less dramatic way I can empathize with Unique (Alex Newell) in seeing Santana (the late Naya Rivera) play the role they so desperately wanted and knew they would be great at. It was uncomfortable watching the scene flip from Grease to Cassandra seducing Brody (Dean Geyer), who was kind of sort of dating Rachel, but it was nice to hear Kate Hudson sing again because I really like her voice. This is a powerful performance of a great song, but the original's getting the win here again because this situation was just a bit too convoluted for me.
S4E7: Dynamic Duets (November 22nd, 2012)
Spotlight Song: Some Nights (written by J. Bhasker, N. Ruess, A. Dost, J. Antonoff)
Original Artist: fun.
Some Nights was originally featured on fun.'s 2012 album of the same name. It peaked on the Billboard Hot 100 at #3 and is certified 7x Platinum by the RIAA. It's been eleven years and I still absolutely love this song. It helped me get through a really weird season my junior year of college, and it'll always have a soft spot in my heart because of that.
Glee Artist: New Directions
This episode and it's weird superhero thing was a little odd, but definitely not the strangest thing this show has ever done by a long shot. It explores the Blaine/Sam (Chord Overstreet) friendship that ended up being one of my favorite relationships on the show, and we got this killer number at the end to boot. It was really satisfying seeing New Directions go back to their roots on the stage in their matching red and black, and Finn was so proud of them all which is so sweet. While Darren Criss gets hella solos on this one, the original gets the win again for sentimental value.
S4E8: Thanksgiving (November 29th, 2012)
Spotlight Song: Whistle (written by T. Dillard, D. Glass, M. Killian, J. Franks, B. Isaac, A. Mobley)
Original Artist: Flo Rida
Whistle was originally featured on Flo Rida's 2012 album Wild Ones. It peaked on the Billboard Hot 100 at #1 and is certified 5x Platinum by the RIAA. This song really has no right being as catchy as it is. Flo Rida has been putting out very specific, fairly wild bops since at least my freshman year of high school, and this one fits that criteria to a tee.
Glee Artist: Dalton Warblers
Ok, this version of this song is a guilty pleasure for me and I cannot explain why no matter how hard I try. Performed by the absolutely iconic Warblers as their Sectionals set opener, this a cappella version of a pop hip hop song about... you know... is so damn catchy and when it comes on my phone I will always be dancing to it in some way, shape, or form. Clearly Glee gets the win this round, and maybe I'll figure out the mystery as to why I'm so fond of it someday, but for now I'll just enjoy.
S4E9: Swan Song (December 6th, 2012)
Spotlight Song: All That Jazz (written by J. Kander, F. Ebb)
Original Artist: Chicago Cast
All That Jazz was originally featured in Act 1 of the 1975 musical Chicago and is performed by the character Velma Kelly. This is for sure one of the most iconic opening numbers in Broadway history, and the recordings by three of the most well-known Velmas (Chita Rivera, Bebe Neuwirth, and Catherine Zeta-Jones) are all absolutely incredible in their own rights. It's catchy, it's memorable, and it's got a killer dance number to match.
Glee Artist: Cassandra July (Kate Hudson) & Rachel Berry (Lea Michele)
This is another showcase of this bizarre rivalry between Rachel and Cassandra (who's supposed to be her mentor), but it did make for a fun number. Between Kate Hudson's dancing and Lea Michele's Broadway vocalizations, this duet ended up being very well matched. That being said, I'm giving the original the win, specifically the film adaptation sung by Catherine Zeta-Jones, because it's just so iconic.
S4E10: Glee, Actually (December 13th, 2012)
Spotlight Song: Hanukkah, Oh Hanukkah (traditional lyrics)
Original Artist: Barenaked Ladies
This rendition of Hanukkah, Oh Hanukkah was originally featured on Barenaked Ladies' 2004 album Barenaked for the Holidays. To paraphrase the great Adam Sandler, you don't get a lot of mainstream Hanukkah songs, so it's always fun to hear them when they come up. This version is so much fun, has a ton of energy, and is a delightful spin on a traditional classic.
Glee Artist: Jake Puckerman (Jacob Artist) & Noah Puckerman (Mark Salling)
After three and a half seasons of having Puck (Salling) comment on his Jewish heritage but not much more than that, it was cool to see he and his half-brother and rookie New Directioner Jake rock out to a Hanukkah song. This is a fun bonding scene between the siblings, playing guitar on the back of a golf cart through Paramount Studios. I'm giving Glee the win this round because Artist and Salling's vocals just blend together so well here.
S4E11: Sadie Hawkins (January 24th, 2013)
Spotlight Song: I Don't Know How to Love Him (written by A. Lloyd Webber, T. Rice)
Original Artist: Jesus Christ Superstar Cast
I Don't Know How to Love Him was originally featured in Act 1 in the 1971 musical Jesus Christ Superstar and is performed by the character of Mary Magdalene. This song actually peaked on the Billboard Hot 100 at #28, which isn't unheard of for a show tune but also isn't super common. This is a beautiful ballad, and I wish it got more attention nowadays as an option for musical repertoires.
Glee Artist: Tina Cohen-Chang (Jenna Ushkowitz)
I struggle with Tina a lot, because Jenna Ushkowitz has a beautiful voice but I really do not like Tina's character at all. That being said, Ushkowitz deserves credit where credit is due, and she sang the hell out of this song. The situation is weird, with her very odd crush on the very clearly gay Blaine, but she delivers the emotion in this song really, really well. For that, I'm giving Glee the win this round.
S4E12: Naked (January 31st, 2013)
Spotlight Song: Centerfold/Hot in Herre (written by S. Justman, C. Haynes, P. Williams, C. Hugo, C. Brown)
Original Artist(s): The J. Geils Band/Nelly
Centerfold was originally featured on The J. Geils Band's 1981 album Freeze Frame and peaked on the Billboard Hot 100 at #1. Hot in Herre was originally featured on Nelly's 2002 album Nellyville, peaked on the Billboard Hot 100 at #1, is certified 2x Platinum by the RIAA, and was the inaugural winner of Best Male Rap Solo Performance at the 2003 Grammys. This mashup is actually so much fun, although I wish there was more attention paid to Centerfold or that they had just done the songs separately to give them the credit they deserve.
Glee Artist: New Directions Boys & The Cheerios
Even a decade later, this episode gives me the major ick. Glee was known for doing some wild stuff, but a "manly" calendar of high school aged boys, mixed with my guy Artie's (Kevin McHale) obvious discomfort with the situation, should never have been allowed. That being said, this mashup is a total banger and I unashamedly have it on my phone and listen to it regularly.
S4E13: Diva (February 7th, 2013)
Spotlight Song: Bring Him Home (written by C. Schönberg, A. Boublil)
Original Artist: Les Misérables Cast
Bring Him Home was originally featured in Act 2 of the 1986 musical Les Misérables and is performed by the character Jean Valjean. Considered by many to be the vocal centerpiece of the entire show, this number is beyond breathtaking when it's performed correctly (i.e. by original Valjean Colm Wilkinson and NOT Hugh Jackman in the film adaptation). In fact, Claude-Michele Schönberg stated in a 2012 commentary that he and Alain Boublil wrote this song specifically for Wilkinson when he was cast in the original English translation of the show.
Glee Artist: Kurt Hummel (Chris Colfer)
This is the second "official" diva off between Kurt and Rachel (where they both sing the same song and see who does it better), and I think it still goes without saying that Kurt wiped the floor with her for this on. I've stated in many a previous post how Les Mis is my favorite musical, so I do not say this lightly, but Colfer's performance of this song is absolutely outstanding, and I'm more than willing to compare it along with the great like Colm Wilkinson and Alfie Boe (but again, not Hugh Jackman, because I'm still mad at him over that performance). It's always good for me to see Rachel knocked down a peg, but getting to hear my favorite character truly nail one of the greatest Broadway solos of all time was the real win here.
S4E14: I Do (February 14th, 2013)
Spotlight Song: Getting Married Today (written by S. Sondheim)
Original Artist: Company Cast
Getting Married Today was originally featured in Act 1 of the 1970 musical Company and is performed by the characters Amy and Paul along with a choir girl and the rest of the chorus. This song is best known as one of the most difficult musical theater songs to perform of all time (one of the verses fits 68 words into an 11 second timeframe), and when it's executed correctly it is a masterclass in dictation, pitch, and breath support. It's been called one of Sondheim's more "psychotic" compositions, and is meant to emulate the stream of consciousness of someone having a mental breakdown, which if you've heard it you can agree that's a fairly spot on comparison.
Glee Artist: Emma Pillsbury (Jayma Mays), Mercedes Jones (Amber Riley), & Will Schuster (Matthew Morrison)
Jayma Mays SLAYS this song, case closed; there's no other character on this show that could've done it justice. We know how severe Emma's anxiety is from watching three and a half years of her fighting so hard to overcome it, but watching her spiral before she walks down the aisle as Will remains utterly oblivious is next level. This episode is wild, but this performance is absolutely iconic, and I'm going to give respect where it's deserved and give Glee the win here.
S4E15: Girls (and Boys) On Film (March 7th, 2013)
Spotlight Song: Shout (written by O. Isley, R. Isley, R. Isley)
Original Artist: The Isley Brothers
Shout was originally featured on The Isley Brothers' 1959 album of the same name and, for the theme of this episode, the 1978 soundtrack for National Lampoon's Animal House. The song peaked at #49 on the Billboard Hot 100. This song is so iconic, both in its sound and its respective scene in a comedic classic. It's absolutely one of those songs virtually everyone knows, and one that your body basically requires you to get up and dance to.
Glee Artist: New Directions
As the 500th musical number on the show, Glee certainly went big and went home for their annual Mash Off episode. This group number has incredible energy, and I love the lead vocals from Blaine and Brittany (Heather Morris) because you can tell they really had fun with it. Like with Bring Him Home, I'm calling a tie here because this is a great tribute to the original and gives us more quality Darren Criss content.
S4E16: Feud (March 14th, 2013)
Spotlight Song: Bye Bye Bye/I Want It That Way (written by K. Lunden, J. Schulze, A. Carlsson, M. Martin)
Original Artist(s): NSYNC/Backstreet Boys
Bye Bye Bye was originally featured on NSYNC's 2000 album No Strings Attached and peaked on the Billboard Hot 100 at #4. I Want It That Way was originally featured on the Backstreet Boys' 1999 album Millennium, peaked on the Billboard Hot 100 at #6, and is certified 3x Platinum by the RIAA. This mashup is the perfect storm of late 90s-early 00s boy band craziness, and I loved every single second of it. I'm still Team Backstreet, but both songs definitely remain certified bangers to this very day.
Glee Artist: Finn Hudson (Cory Monteith) & Will Schuster (Matthew Morrison) ft. New Directions Boys
Finn did some stupid shit on this show, but kissing Emma to calm her down during her pre-wedding panic attack may have taken the cake, and I really can't blame Schue for being pissed at him for it. However, that bonkers (and thankfully short-lived) feud gave us one of Glee's greatest mashups, and for that we're thankful. Add in the fact that Morrison himself was a member of an early 00's boy band (LMNT, they sang Juliet which is still a favorite throwback of mine), and this number was pretty darn near perfect.
S4E17: Guilty Pleasures (March 21st, 2013)
Spotlight Song: Wake Me Up Before You Go-Go (written by G. Michael)
Original Artist: Wham!
Wake Me Up Before You Go-Go was originally featured on Wham!'s 1984 album Make It Big. It peaked on the Billboard Hot 100 at #1 and is certified Platinum by the RIAA. This is another absolutely iconic song, and definitely one of Wham! and George Michael's greatest hits. It's fun, it's catchy, and it's undeniably a bop.
Glee Artist: New Directions
Like I said in this post's introduction, the second half of Season 4 absolutely dominated the first half in terms of musical numbers. Blaine and Sam bonding throughout this episode and taking charge of the New Directions while Will and Finn sort themselves out was so much fun to watch, and honestly it was really hard for me to choose between this number and Sam singing Copacabana after calling himself a Fanilow. This may be controversial, but I'm calling another tie here because this felt like another true tribute to the original material while being super well done in its own right. Also, more Darren Criss.
S4E18: Shooting Star (April 11th, 2013)
Spotlight Song: Say (written by J. Mayer)
Original Artist: John Mayer
Say was originally featured on Mayer's 2006 album Continuum as well as the soundtrack to the 2007 film The Bucket List. It peaked on the Billboard Hot 100 at #12, is certified 3x Platinum by the RIAA, and won Best Male Pop Vocal Performance at the 2008 Grammy Awards. This is actually a top John Mayer song for me, and I loved seeing it get well-deserved attention even seven years after its initial release. It's a sweet song with a really great message, plus great caliber guitar playing from Mayer.
Glee Artist: New Directions
This episode had me so tense from start to finish, but it was one "very special episode" (if you watched TV in the 80s or 90s, you get it) of Glee that didn't have me cringing in my seat. From Brittany's absolute terror being separated from everyone else in the bathroom, to the tangible tension of everyone else in the choir room, to the actually heartbreaking twist at the end showing that Sue (Jane Lynch) is capable of human emotion, this episode was a lot, and the emotion New Directions pours into this final number really shone through. I am giving the original the win here because I think Say works better as a solo, but I still think the cast did a great job.
S4E19: Sweet Dreams (April 18th, 2013)
Spotlight Song: Next to Me (written by E. Sandé, H. Chegwin, H. Craze, A. Paul)
Original Artist: Emeli Sandé
Next to Me was originally featured on Sandé's 2012 album Our Version of Events, peaked on the Billboard Hot 100 at #25, and is certified Platinum by the RIAA. I didn't know Sandé's music at the time, but I was so impressed by her vocals when I first heard this song and still think it's a great performance. Bonus points that this song is as fun to sing as it is to listen to.
Glee Artist: Rachel Berry (Lea Michele) & Shelby Corcoran (Idina Menzel)
Ya'll know the rule by now: if Idina sings, Idina wins, period. Shelby surprising Rachel at NYADA is actually very sweet, especially with Funny Girl auditions looming ahead, and I absolutely love an acoustic piano duet between these two. It's almost like you can see their harmonies dancing around each other, and the song worked incredibly with both of their voices.
S4E20: Lights Out (April 25th, 2013)
Spotlight Song: Little Girls (written by C. Strouse, M. Charnin)
Original Artist: Annie Cast
Little Girls was originally featured in Act 1 of the 1977 musical Annie and is performed by the character Miss Hannigan. This is one of my favorite numbers in this show, and I just know Miss Hannigan would be SUCH a fun villain to get to play. It's over the top dramatic and a ton of fun while still having incredible vocal moments throughout the number.
Glee Artist: Sue Sylvester (Jane Lynch)
This episode gave me the hardest time in terms of picking a spotlight, so I want to give out honorable mentions to You've Lost That Loving Feeling, At the Ballet, and For the Longest Time, all of which were absolutely incredible. However, I went with Little Girls because I think it's criminal how little Jane Lynch sang throughout the run of this show. She was actually getting ready to play the role of Miss Hannigan on Broadway a month or so after this episode aired, and the iconic Carol Burnett, who plays Sue's estranged mother throughout the show, was of course Miss Hannigan in the 1982 film adaptation. She gets a tie with Burnett's version for sure, purely because she's so talented and this song selection for Sue was just so spot on.
S4E21: Wonder-ful (May 2nd, 2013)
Spotlight Song: Superstition (written by S. Wonder)
Original Artist: Stevie Wonder
Superstition was originally featured on Wonder's 1972 album Talking Book. It peaked on the Billboard Hot 100 at #1 and won both Best Rhythm & Blues Song and Best R&B Performance (Male) at the 1974 Grammy Awards. Stevie Wonder is a certified musical legend, and this song still way, way up there in the best of his catalogue. From the catchy lyrics to that unforgettable bass line and horn section, this is an iconic moment from music history to be sure.
Glee Artist: Mercedes Jones (Amber Riley) & New Directions ft. Kurt Hummel (Chris Colfer) & Mike Chang (Harry Shum, Jr.)
A Stevie Wonder tribute episode? Hell yeah, let's go. Mercedes (Amber Riley) sang the heck out of this one, which was a total no-brainer as she was THE best female vocalist on the show, and it was so good to see her back again after going her own way (aka not NYC) after graduation. We do get insane Amber Riley and Darren Criss content here, but the win without a doubt still goes to Stevie Wonder's original.
S4E22: All or Nothing (May 9th, 2013)
Spotlight Song: I Love It (written by C. Aitchison, P. Beger, L. Eklöw)
Original Artist: Icona Pop ft. Charli XCX
I Love It was originally featured on both Icona Pop's 2012 Icona Pop and 2013 album This Is... Icona Pop. It peaked on the Billboard Hot 100 at #7 and is certified 4x Platinum by the RIAA. This song annoyed the heck out of me when it first came out, but over the last decade it's worn me down and I can definitely dance along to it now whenever it comes on. It's absolutely a dance party staple, and is just a fun time and a good way to get yourself hyped up.
Glee Artist: New Directions
New Directions' all-female number for Regionals was fairly epic. Brittany, Tina, Kitty, and Unique all get to solo and all do a great job shining in their own right. It's a great high energy number for the team, and shows off the dance talent for the cast as well. I'll give the win to the original because Charli XCX's vocal style just fits the song better, but it's still a great Glee cover.
Once again, I hope you found some great classics and covers to check out from this post. Happy listening, and see ya'll next week!
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